Director: George Sikharulidze
Scenography By: Teo Kukhianidze
Choreography by: Tiko Qoiava
Composer,Musical adaptation by: Head of Music Band - Giorgi Khositashvili
Assistant to director: Ela Kazariani
Nineli Chankvetadze, Zaza Mikashavidze, Paata Baratashvili, Makho Abuladze, Guga Kakhiani, Gia Abesalashvili, Beka Jumutia, Temo Gvalia, Eka Andronikashvili, Ana-Maria Gurgenishvili, Gagi Shengelia, Ilia Cheishvili. Irakli Kereselidze
Also: Shota Rustaveli Theatre and Film Georgian State University’s students
‘Mother Courage and her Children’ play, depicting how dangerous could be to let loose “the dogs of War’. Bertolt Brecht in play puts a spotlight on large-scale politics, touching something universal and looks at a war ( evil!) from the angle of a human being, whose life is radically different during a civil ( or any!) war, full of unpredictable moments, acts of heroism and senseless deaths. In the newest history, our country learned it by experience.
Mother Courage, protagonist, indomitable survivor, tries to cut a pass through the jungle of war, often escaping all rigid formulations of social and political significance. Mother, always full of a flavor of bitterness, is never hopeless. It is interesting way of thinking about War.
Brecht’s Epic Theatre, epic drama is designed as series of incidents, simply, clearly presented, using Alienation Effect.
We, relying upon Brecht, his method and Effect, hope, that audience will get a taste of the action, as far as Theatre is a place, where actors are sharing with unique and unrepeatable experience of live performance. Visit our ‘war museum’
Premiere will be held in the frames of Georgian Showcase 2018!
Duration: 55 minutes, without intermission
The tour group: 25 persons
The Film Actors Theatre was ceremoniously opened in 1978 year on 14 th of January, on the day traditionally celebrated as the Day of Georgia Theatre. This event was a truly significant moment in history of Georgia theatre and a memorable millstone as the great Georgian theatre director of our times Michael Tumanishvili welcomed the audience into his own theatre, where the permanent troupe was comprised of his students and the experimental group of directors and actors, These were aspiring, highly talented young people fanatically in love with theatre, sometimes even referred as ‘ soloists of orchestra’ or as Tumanishvili’s ‘chamber ensemble” teamed up tied together at the time when the outstanding director left the Rustaveli Theatre.
Officially called as the Theatre Workshop of the Georgian Film Studio the ensemble bad its manifesto and rituals. Central here was the studio work, psycho – physical training and improvisation. ‘Improvise, exercise on episode, and then develop it… motion, motion and motion is our main task" – used to say maestro. And so the actors came to a beautiful stage as if they were mounting the scaffold “to be burnt in ashes” totally enchanting audience by the theatrical sensation they watched in a cozy little space.
Michael Tumanishvili aestheties, his innovative approach formed in the 1950s when he worked in Rustaveli Theatre. “We were the bridge which ensured that the romantic, declamatory and rhetorical theatre of pathos… We came to bring along change," Tumanishvili, the reformer wrote in one of his books.
The production of the Film Actors Theatre have proved highly successful at various reputable festivals in Europe, Americas and Australia.
The former students of the great director are still loyal to the theatre, now joined by a younger generation. Much is done to preserve the best practices of the well-established theatre - new performances are produced regularly, interesting discussions are held and numerous projects are fulfilled within the walls still keeping rich traditions.
Moreove, the theatre invariably welcomes young talented actors and directors, who can benefit from the resources and support given to them so they can put their ideas to life.
"The language of the theatre has become more complex. New means, solutions, techniques and forms are needed. Anyone, especially the young, should be given the opportunity to courageously take the hard road of experimenting. We need to forever remember Stanislavski’s words that eternal Art is an endless road which requires renovating every 15 or so years: / Michael Tumanishvili/
Theatre art director: George Sikharulidze
Contact Person: Zurab Getsadze
Tel:032 2996171 (+995) 595 424261
fax: +995 32 235 01 94
E-mail : email@example.com